Roy Pomerantz: Three Tips for Better Juggling

Roy Pomerantz is an experienced juggler and businessman. He balances out his serious business dealings and work with juggling for special events as a member of the Juggling Information Service, which preaches juggling tips and information for festivals and other events for the international juggling community. Here are three tips for better juggling and more fun-having:

•    Get comfortable with your balls. Roy Pomerantz took several years to get the touch of the ball down enough to control them in the air. Practicing with three balls and getting them to do what you want with your tosses is the best way to get comfortable juggling three balls at once.

•    Start slow. Even the best jugglers started with one ball. That’s right, tossing one ball back and forth from one hand to the other is the best way to learn how to juggle. You have to walk before you run. Pay attention to the ball’s arc in the air and try to get it to land softly in the palm of your hand without moving your hands.

•    Move on to two balls. Once you have watched the single ball go back and forth in your hands, it’s time to move on to two balls. The key is to toss the first ball just like you did when you were practicing with one ball. When it reaches its maximum height, toss the second ball.

Roy Pomerantz loves to practice and show others how to be as skilled of a juggler as he is.

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Roy Pomerantz: Member of the Juggling Information Service

Roy Pomerantz is a talented juggler and a member of the Juggling Information Service (JIS), an online resource for the world’s juggling community. The JIS connects all of the juggling-related resources and information you can find on the Internet. The editing staff of this service is always looking for more information, tips, and competition details so that the juggling community can learn from itself and help more people become better jugglers. Pomerantz has been a juggler since his college days, when he started a juggling club on campus that became very popular with many of the students.

Roy Pomerantz offers advice and tips for new and veteran jugglers on the JIS. He has many years of experience juggling and loves to show off with his skills by putting on clinics for younger jugglers and at special events. Pomerantz is also a business executive by day and practices his juggling skills by night. Moonlighting as a professional juggler isn’t easy, but Pomerantz loves to put smiles on children’s faces with his feats of exquisite skill and agility. It took him some time to master the techniques of juggling four and five balls at a time, but now that he has the skills to perform, he uses his membership in the JIS to spread that knowledge and skill to new jugglers.

Roy Pomerantz is always looking for new opportunities to connect with current and would-be jugglers to inspire them and perhaps even get inspired by them. He is committed to creating a better and bigger juggling community.

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Roy Pomerantz – Practice, Practice, Practice

Throughout his juggling career, Roy Pomerantz has performed in hundreds of venues across the world. Carlo’s The Juggling Book left a lasting impression on Pomerantz as a child, inspiring him to manipulate objects in unique and exciting ways. He felt The Juggling Book taught him to think outside juggling’s traditional realms of contemplation, and his insights motivated him to become a professional. Years later, Pomerantz is recognized as a leader of his art form. He believes practice, practice, practice is the only way to ever ascend rank and juggle at the professional level.

As a seasoned performer, Pomerantz is privy to the essential elements of a top-notch juggling act that draws in audience members and keeps them entertained. You should employ the proper footwork to maintain your balance and grace since most of your senses’ focus will be on juggling. That’s why it’s important to walk around during your practice sessions. Try to draw a circle or other shape while juggling so when you’re performing later, muscle memory traces these shapes and no extra energy is expended worrying about footwork. If you want, have a helper or partner create obstacles that resemble real-life scenarios since the unpredictable can happen at any moment when performing your act. Implore your helper to kick soccer balls in your direction so you can get used to working around distractions.

Roy Pomerantz is a well-known American juggler. In order to be a professional juggler, you must push your limits and practice, practice, practice.

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Roy Pomerantz – Formulate Your Juggling Act

Roy Pomerantz is an American juggler. His natural talent and dedication to the art is impressive and laudable, which is why Pomerantz has performed live on Good Morning America and CBS Nightly News. He’s been featured in the New York Times as well. His inimitable commitment and skill in addition to a rigorous training schedule propelled Pomerantz to the top. If you enjoy juggling and perhaps are interested in performing for an audience, here’s a few tips that will help build your talent and formulate your juggling act.

Start small. Juggling requires hundreds of practice hours before ascending to even the beginner level, so both training smart and being patient is key. In other words, don’t start with knives. Start with two small, soft objects instead, and be sure they conform in shape and weight. You don’t need to juggle oranges or baseballs per say, but three balls of similar dimensions is a solid way to start.

Once you are able to confidently juggle three objects for at least a minute, try to widen your skill set by adding in objects with different weights, shapes and other variables, like always catching a bowling pin by its most narrow part. Working with a variety of weights and dimensions affords you the privilege of versatility, which will eventually help you edge out the competition. If and when you are comfortable juggling any three objects, try taking on four or even five objects. Pomerantz encourages you to not fear the risk and remember your training when going beyond three. By the time you’re juggling four objects of dissimilar shapes and heaviness, then you’re well on your way to becoming a professional juggler.

Now, it’s time to implement other variables into your act. Because you want to stand out, right? When someone is hiring a professional juggler, he or she is looking for that “Wow” factor. It’s essential you figure out your “Wow” factor before advertising your schtick. What makes you different?

You could juggle while performing a dance routine or riding a unicycle. You could wear a blindfold or don a boa constrictor around your neck. Don’t hesitate to alter the stage’s set-up or dimensions while you formulate your juggling act either. Think outside the box. Take chances. Consider how you’re relaying the emotion and entertainment of your act to audience members and then maximize your strong suits, leaving behind anything less than exceptional. Roy Pomerantz is known for his imaginative acts, pushing his limits every time. A creative costume always enhances an act, too. Don’t feel limited to a suit or dress, or even a mask. You can get creative with make-up, footwear and wardrobe to create an on-stage identity that is purely awesome and purely you.

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Roy Pomerantz – Winning Over the Audience

Roy Pomerantz, a professional juggler who has performed for every type of audience imaginable, knows that connecting with an audience boils down to a passion for people. Finding ways to communicate with the audience during a performance is just as much a part of the routine as the technical skills and techniques, and working to build that rapport helps admirers feel more connected and inspired.

Engaging with your audience is key. At times, of course, this means speaking. Explaining what you do as you are performing, telling stories, and implementing methods that allow your audience members to participate can take your act over the top. Body language is also important. Making eye contact and smiling can shift the entire mood of a performance, and these are among the simplest methods to deepen the relationship with an audience without breaking your focus.

Allowing your admirers to fully take in separate parts of the routine, known as a stop and style, ensures that onlookers won’t become overwhelmed. It can be difficult for an audience member to fully recognize and appreciate how difficult a particular trick might be, and it’s important that you give them time to catch up. Pausing and allowing people to applaud and enjoy helps your audience remain engaged and interested.

Roy Pomerantz is dedicated to helping people feel more awe-inspired by the world they live in through his acts. He has performed in every type of venue imaginable, including the streets of New York, carnivals, hospitals, schools, and more.


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Roy Pomerantz – Practicing With a Coach

Roy Pomerantz is a professional juggler who became known for his art form through creating a unique and dazzling act that left spectators with something to talk about. But what went on behind the scenes was thousands of hours of rigorous practicing, some of which was done alone, some with a friend and some with a quality coach. Having a coach is the most beneficial of all, as it has been proven numerous times that coaches push the progress of their subject. Below are some ways in which having a coach can be beneficial.

Having Professional Guidance

It is always good to have an extra pair of eyes to evaluate your performance and provide helpful feedback.

Having a Trained Safety Aid

Most coaches have seen the injuries most related to your activity occur, and therefore would be more qualified to provide basic care or even attention until medics arrive. A coach will also help you keep calm during an emergency. Roy Pomerantz has benefitted greatly through practicing with coaches.

Roy Pomerantz

Roy Pomerantz helped pay the tuition for his Columbia College education by performing on the streets of New York. He was also featured in an article in Newsday about his juggling shows during the half time at Columbia football and basketball games. Pomerantz was Founder and President of the Columbia University Jugging Club. Additionally, he taught juggling as part of Columbia’s Alternative Education Program. While at Columbia, Pomerantz was one of 50 people from over 5000 applicants to be selected to attend Ringling Bros. and Barnum & Bailey Clown College. Penn Jillette from Penn & Teller graduated from Clown College in 1974.

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