Throughout his juggling career, Roy Pomerantz has performed in hundreds of venues across the world. Carlo’s The Juggling Book left a lasting impression on Pomerantz as a child, inspiring him to manipulate objects in unique and exciting ways. He felt The Juggling Book taught him to think outside juggling’s traditional realms of contemplation, and his insights motivated him to become a professional. Years later, Pomerantz is recognized as a leader of his art form. He believes practice, practice, practice is the only way to ever ascend rank and juggle at the professional level.
As a seasoned performer, Pomerantz is privy to the essential elements of a top-notch juggling act that draws in audience members and keeps them entertained. You should employ the proper footwork to maintain your balance and grace since most of your senses’ focus will be on juggling. That’s why it’s important to walk around during your practice sessions. Try to draw a circle or other shape while juggling so when you’re performing later, muscle memory traces these shapes and no extra energy is expended worrying about footwork. If you want, have a helper or partner create obstacles that resemble real-life scenarios since the unpredictable can happen at any moment when performing your act. Implore your helper to kick soccer balls in your direction so you can get used to working around distractions.
Roy Pomerantz is a well-known American juggler. In order to be a professional juggler, you must push your limits and practice, practice, practice.
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Roy Pomerantz, a professional juggler who has performed for every type of audience imaginable, knows that connecting with an audience boils down to a passion for people. Finding ways to communicate with the audience during a performance is just as much a part of the routine as the technical skills and techniques, and working to build that rapport helps admirers feel more connected and inspired.
Engaging with your audience is key. At times, of course, this means speaking. Explaining what you do as you are performing, telling stories, and implementing methods that allow your audience members to participate can take your act over the top. Body language is also important. Making eye contact and smiling can shift the entire mood of a performance, and these are among the simplest methods to deepen the relationship with an audience without breaking your focus.
Allowing your admirers to fully take in separate parts of the routine, known as a stop and style, ensures that onlookers won’t become overwhelmed. It can be difficult for an audience member to fully recognize and appreciate how difficult a particular trick might be, and it’s important that you give them time to catch up. Pausing and allowing people to applaud and enjoy helps your audience remain engaged and interested.
Roy Pomerantz is dedicated to helping people feel more awe-inspired by the world they live in through his acts. He has performed in every type of venue imaginable, including the streets of New York, carnivals, hospitals, schools, and more.
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Roy Pomerantz, an experienced professional juggler, advocates juggling to improve one’s health. With a deep focus on keeping all the balls in the air, you won’t even realize that you’re exercising. Other benefits of juggling:
- You can take juggling with you anywhere. No gym membership necessary here, you can take your balls, scarves, or beanbags with you no matter where in the world you are. You only need a small amount of space, and you never have to depend on good weather. As an aerobic exercise, you can get your heart pumping without ever leaving your home or office.
- Juggling is excellent for stress relief. All of your surroundings melt away because you’re so deeply focused on what you’re doing, and you can return to your work more focused. Even just a few minutes can change the entire course of the day.
- It can be easy to forget our upper body muscles, and juggling ensures that these areas stay fit and fully functional. The range of motion in the arms and shoulders tends to decrease over time, but juggling is a sure-fire way to keep everything moving properly.
- Most importantly, juggling is fun, and rather than building up the willpower to go to the gym or head outside for a run, it feels more like a game in which you entirely forget that you are exercising.
Roy Pomerantz has performed in front of thousands of people on the streets of New and always looks forward to his next act.
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Roy Pomerantz, a professional juggler who has been featured in “The New York Times” and appeared on Good Morning America and CBS Nightly News, says that anyone can become skilled at juggling. The secret is practice. Even ten minutes a day can get you on the right track.
He was interested in magic as a kid, but became frustrated when it did not allow him to fully explore his creativity. He turned to juggling after discovering a book that would ultimately change his life, Carlo’s Book of Juggling. He quickly mastered all of the tricks and began moving on to more difficult techniques.
While focused on improving and deepening his understanding of the skill, he chose to attend Columbia College because New York City had a thriving juggling community. He found a community there where he could share and learn alongside other performers.
Mentorship is an important concept in the juggling community, and Pomerantz was thrilled to have been invited to study at the New York School for Circus Artists by the world-renown juggler, Michael Moschen. Moschen emphasized combing dance and juggling, looking at the audience while juggling, and being an innovator.
Roy Pomerantz knows that helping young people learn how to juggle builds self-esteem. By developing acts that are unique and speak clearly to the personality of the performer, juggling transcends mastering tricks.
Juggling is about finding creative ways to showcase discipline, grace, and individuality.
Roy Pomerantz is a professional juggler who became known for his art form through creating a unique and dazzling act that left spectators with something to talk about. But what went on behind the scenes was thousands of hours of rigorous practicing, some of which was done alone, some with a friend and some with a quality coach. Having a coach is the most beneficial of all, as it has been proven numerous times that coaches push the progress of their subject. Below are some ways in which having a coach can be beneficial.
Having Professional Guidance
It is always good to have an extra pair of eyes to evaluate your performance and provide helpful feedback.
Having a Trained Safety Aid
Most coaches have seen the injuries most related to your activity occur, and therefore would be more qualified to provide basic care or even attention until medics arrive. A coach will also help you keep calm during an emergency. Roy Pomerantz has benefitted greatly through practicing with coaches.
Roy Pomerantz helped pay the tuition for his Columbia College education by performing on the streets of New York. He was also featured in an article in Newsday about his juggling shows during the half time at Columbia football and basketball games. Pomerantz was Founder and President of the Columbia University Jugging Club. Additionally, he taught juggling as part of Columbia’s Alternative Education Program. While at Columbia, Pomerantz was one of 50 people from over 5000 applicants to be selected to attend Ringling Bros. and Barnum & Bailey Clown College. Penn Jillette from Penn & Teller graduated from Clown College in 1974.
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Roy Pomerantz is a professional juggler who has spent countless hours preparing for his act. Below are some performance tips:
- Stretch. Before any type of physical activity, stretching is essential. This will help prevent cramps and improve your accuracy during your routine.
- Dress for occasion. Jugglers know that appearance is critical to the success of your show. By presenting yourself in a way that is consistent with your “character” you are proving yourself to be a performer as well as a tactician.
- Practice, practice, practice. Practice is essential to success in just about anything. In jugging, it is best to warm up with your act before taking it to the stage. Keeping your skills sharp and body parts warm will help you perform once you go on stage.
Roy Pomerantz knows to be ready for anything as an entertainer, which is why practice is so important.